Ltd Edition Prints SPRING SALE WITH 15% REDUCTION

Paper Types

Photographic Paper Silver Halide

Fuji Professional DPII paper is used for both lustre and gloss finishes and offers excellent flesh tone reproduction, sharpness, and image quality ensuring your customer is delighted with their product.

Lustre -Favoured for most print orders and the majority of finished products within the Loxley Colour range. Superbly versatile and resistant to handling problems.
Gloss -Ideal for images that require that extra punch, especially when used in exhibition work or for the presentation of qualification panels.
Metallic -Kodak Professional VC paper is used for this optionâ€”offering an iridescence with a high gloss finish, especially suited to high contrast and vibrantly saturated images.

Machine Prints

If you send us a negative for printing, we will scan, store and then print the image at your chosen size. The price you pay will be the standard reprint price from negative and includes full colour correction by our skilled technicians; the same process is used for prints from transparency. Prints are available in lustre, gloss or metallic.

Prints available

15% Summer Sale

10″x8″ Edition of 50 each £20

11″x14″ Edition of 20 each £50

17″x22″ Edition of 10 each £150

30″x40″ Edition of 2 each £1500

Save £3.00 on 10″x8″…Save £7.50 on 11″x14″…Save £22.50 on 17″x22″…Save £225.00 on 30″x40″

Alex Beeching 30 September 2009

http://www.20×200.com/artists/alexander-beeching.html

‘The Moor’ perfectly captures the majesty of the West Coast, shaped as it has been by wind, ice and rain. That James Beaton knows and loves this land is abundantly clear. By means of an unerring eye, an enviable mastery of composition and some deft tweaking in the digital dark room, he has crafted an image of great power. One reaches for the word ‘Sublime’ that idea of beloved of the Romantics. From the Latin sublÄ«mis “sloping up to the lintel, uplifted, high, lofty, elevated, exalted,” it seems to sum up the spirit of this piece and one is reminded of the work of the Romantic painter par excellence, Caspar David Friedrich who used nature to express the sublime.

‘Pylons’ epitomises Beaton’s photography. By turns stark, strikingly simple, and stripped down, it often makes use of contrast and juxtaposition. ‘Pylons’ does so to great effect, for it sets the man-made and industrial ( the pylons) against the natural, the moor on which they stand. The resulting contrast is at once powerful, possessed of a beauty born of difference. You can almost hear the buzzing of the electricity flowing down the lines.

Check out my Ltd edition Prints in My Gallery for more variety in choice. Commissions also available

contact me at

http://www.stillmovingimage.com/contact/

or Simply leave a reply in the box below this article and I will get straight back to you asap

This entry was written by james , posted on Saturday October 02 2010at 01:10 pm , filed under Services . Bookmark the permalink . Post a comment below or leave a trackback: Trackback URL. |

Ltd Edition Prints SPRING SALE WITH 15% REDUCTION

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